Epreuve Hors Programme Agrégation Externe

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=Dossiers= =Dossiers=
 +
 +
 +==Dossiers EHP 2019==
 +*[http://saesfrance.org/concours/agregations/agregation-externe/agregation-externe/sujets-dagregation-externe-2018-2/ Dossiers de la session 2019]
 +
 +*'''Dossier 1 :'''
 +Thomas Pynchon, ''The Crying of Lot 49'' (1966) / Joel Garreau, ''Edge City: Life on the New Frontier'' (1991) / Bill Brandt, ''New York and Brooklyn'' (poster, 1892)
 +
 +*'''Dossier 2 :'''
 +Colum McCann, ''This Side of Brightness'' (1998) / Maya Angelou, ''All God's Children Need Traveling Shoes'' (1986) / Patrick A. Burns, Photograph of Grady O'Cummings'' (1964)
 +
 +*'''Dossier 4 :'''
 +Anna Burns, ''Milkman'' (2018) / Mahatma Gandhi, Speech at the Inter-Asian Relations Conference (1947) / Emily Allchurch, ''Babel London (after Bruegel)'' (2015)
 +
 +*'''Dossier 5 :'''
 +Gerard Manley Hopkins, ''The Habit of Perfection'' (1868) / Marc David, ''The Simple Psychology of Habits'' (2015) / Peter Blume, ''Vegetable Dinner'' (1927)
 +
 +*'''Dossier 7 :'''
 +Paul Auster, ''Moon Palace'' (1989) / Eric Klinenberg, ''Going Solo, the Extraordinary Rise and Surprising Appeal of Living Alone'' (2012) / Edward Hopper, ''Sunlight in a Cafeteria'' (1958)
 +
 +*'''Dossier 10 :'''
 +Bram Stoker, ''Dracula'' (1897) / Hanna Sheehy, ''Women and the university question'' (1902) / Howard Somerville, ''Primum Vivere, Deinde Philosophari'' (1905)
 +
 +*'''Dossier 11 :'''
 +William Shakespeare, ''Richard II'' (1600) / Margaret Thatcher, Speech at Kensington Town Hall (1976) / Grayson Perry, ''Comfort Blanket'' (2014)
==Dossiers EHP 2018== ==Dossiers EHP 2018==
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*'''Dossier 3 :''' *'''Dossier 3 :'''
 +Jamaica Kincaid, ''Lucy'' (1990) / Enoch Powell, Speech at the Conservative Association meeting in Birmingham (1968) / Rachel Henriques, ''Poppy Show'' (2016)
 +
 +*'''Dossier 3 bis:'''
Don DeLillo, ''Underworld'' (1997) / Peter Clarke, ''Hope and Glory: Britain 1900-2000'' (1996) / George Bellows, ''Stag at Sharkey's'' (1909) Don DeLillo, ''Underworld'' (1997) / Peter Clarke, ''Hope and Glory: Britain 1900-2000'' (1996) / George Bellows, ''Stag at Sharkey's'' (1909)
Ligne 58: Ligne 86:
*'''Dossier 10 :''' *'''Dossier 10 :'''
William Wordsworth, "The Solitary Reaper" (1807 / Carolyn Merchant, "Ecofeminism and Feminist Theory",'' Reweaving the World: The Emergence of Ecofeminism'' (1990) / Sir Nathaniel Bacon, ''Cookmaid with Still Life of Vegetables and Fruit'' (c. 1620-1625) William Wordsworth, "The Solitary Reaper" (1807 / Carolyn Merchant, "Ecofeminism and Feminist Theory",'' Reweaving the World: The Emergence of Ecofeminism'' (1990) / Sir Nathaniel Bacon, ''Cookmaid with Still Life of Vegetables and Fruit'' (c. 1620-1625)
 +
 +*'''Dossier 12 :'''
 +Ben Okri, ''Infinite Riches'' (1998) / Memorandum by the Secretary of State for the Colonies, ''Constitutional Developments in the Gold Coast and Nigeria'' (1953) / ''The doctor starting his morning rounds by railroad, Ilorin (Kwara, Nigeria), October 1912'' (photograph)
==Dossiers EHP 2017== ==Dossiers EHP 2017==

Version du 24 mars 2020 à 11:08

Nota Bene : cette page est faite à partir des rapports de l'Agrégation Externe, de nombreux sujets sont disponibles sur le site de la SAES.

Sommaire

Modalités de l'épreuve

(rapport de 2013) http://cache.media.education.gouv.fr/file/agreg_ext/40/6/anglais_287406.pdf
  • L’EHP est une épreuve bien fixée dans son format dont les deux parties – exposé comme entretien– se déroulent entièrement en anglais.
  • Chaque sujet proposé aux candidats consiste en un dossier, d’une longueur généralement comprise entre 4 et 6 pages, composé de trois documents :
- Un document A littéraire. Les genres, provenances géoculturelles, époques sont volontairement variés. Cette année, les dossiers ont comporté des extraits de romans, de pièces de théâtre et des poèmes. Les documents couvraient pour l’essentiel une période allant du XIXe siècle à nos jours maisil n’était pas exclus de trouver des documents antérieurs (le sujet n°4 s’ouvrait, par exemple, sur une élégie de John Donne – fin XVIe-XVIIe). Il y avait deux documents irlandais, et un poème de Benjamin Zephaniah, poète né à Birmingham mais s’exprimant d ans le dialecte jamaïcain. Ces diverses spécificités devaient, dans la mesure du possible, et si elles étaient pertinentes au regard du dossier dans son ensemble, être prises en compte.
- Un document B de civilisation. Il peut s’agir d’un traité de science politique (un extrait de Leviathan par exemple, sujet n°13), d’un article de journal ( sujets 3, 6, 8), d’un discours (Margaret Thatcher dans le sujet n°11) d’un extrait d’ouvrage de vulgarisation (sujet n°19), ou encore artistique (Scheffauer sur le cinéma, sujet n°16). Là aussi les époques varient, de Hobbes à un article de presse de 2010 en passant par les Notes on the State of Virginia de Jefferson (sujet n°18) : il faut donc être en mesure de lire et de comprendre un document, parfois complexe, rédigé dans une langue qui peut être plus ancienne.
- Un document C iconographique : peinture, photo, croquis, gravure, photogramme (prise de vueextraite d’un film), etc. Seules sont exclues les représentations d’objets en trois dimensions (sculptures, bâtiments, installations...). La nature précise du médium est toujours indiquée en légende :film still, oil on canvas,tempera on wood, etc. ainsi que les dimensions de l’œuvre (en centimètres ou en pouces) : ces données peuvent être pertinentes lorsqu’il s’agit de s’interroger sur le processus de création ou sur la perception de l’œuv re par le public. Ainsi, les 81 pouces sur 291 (plus de 2 mètres de haut sur 7,5 mètres de large) du tableau de Hockney (sujet n°7) témoignaient de son aspect immersif. Si nécessaire, une indication est également donnée sur la composition de l’œuvre :le tableau de Hockney composé de 60 toiles juxtaposées, la photo de Gilbert & George (sujet n°15) constituée de 16 clichés ; là aussi il peut s’agir d’informations exploitables dans l’analyse du document.
  • L’ordre de présentation des documents est immuable: document de littérature ; document de civilisation ; document iconographique. En tant que tel, il ne constitue en aucun cas un ordre d’importance, ni une grille de lecture du dossier.


(rapport de 2008)
  • Au cours de l’épreuve dite « hors programme » (E.H.P.), les candidats sont censés mettre en relation trois documents de nature et d’origine diverses : un extrait d’une oeuvre littéraire, un texte dit de « civilisation » et un document iconographique (reproduction de tableau, gravure, photographie, caricature, etc.). À l’issue d’une préparation de 5 heures, la présentation en anglais de cette synthèse critique dure 20 minutes. Elle est suivie d’un entretien avec le jury, en anglais également, d’une vingtaine de minutes. Au cours de cet échange, le candidat peut approfondir ou corriger certaines analyses ou être incité à envisager de nouvelles perspectives d’interprétation.
  • L’épreuve donne lieu à deux notes : une première note portant sur le contenu et la présentation et une autre sur la qualité de l’anglais oral qui est associée à celles obtenues en leçon et en épreuve d’option de commentaire ou d’explication.
  • Cette épreuve est apparue à l’agrégation d’anglais en 2000. Huit ans plus tard, on peut estimer qu’elle est arrivée à maturité : son esprit, sa philosophie, ses objectifs sont clairement identifiés. La nature des dossiers proposés est extrêmement variée. Les documents qui les constituent peuvent en effet provenir d’époques très diverses, de la Renaissance à la période contemporaine et émaner de tout pays du monde anglophone (certains de ces dossiers seront accessibles, à titre d’exemples, sur le site de la S.A.E.S. : http://www.univ-pau.fr/saes/).
  • La longueur totale des textes est d’environ 2500 mots et, en règle générale, les extraits proposés ne comportent pas de coupes. Toutefois, les deux textes peuvent être de longueur similaire, ou bien l’un d’eux peut être très court (par exemple, un bref poème) et l’autre beaucoup plus long.
  • Certains dossiers ont une évidente unité historique ou une parenté thématique et géographique, tandis que d’autres peuvent juxtaposer des documents issus d’époques fort éloignées les unes des autres ou sans lien thématique immédiatement identifiable. Ce qui les réunit est alors plus subtil: il peut s’agir de liens formels ou notionnels. Dans tous les cas, les candidats sont censés proposer une lecture raisonnée et convaincante du dossier qui permette de dégager son sens critique.
  • Le fait même qu’il s’agisse d’une épreuve « hors programme » indique clairement que tout l’intérêt de l’exercice consiste pour le candidat à mettre en oeuvre ses qualités de compréhension, de mise en relation et de problématisation sans le soutien ou le « filet de sécurité », pour ainsi dire, de la connaissance d’une oeuvre ou d’une question préalablement étudiée. C’est donc bien la solidité de la structure mentale analytique et synthétique du candidat qui est sollicitée et mise à nu, ainsi que sa culture générale d’angliciste. Il s’agit d’une épreuve exigeante et complète dans laquelle il est difficile de faire illusion et où l'on ne saurait réussir si l’on ne s’est pas préparé avec application, rigueur, humilité et méthode.

Dossiers

Dossiers EHP 2019

  • Dossier 1 :

Thomas Pynchon, The Crying of Lot 49 (1966) / Joel Garreau, Edge City: Life on the New Frontier (1991) / Bill Brandt, New York and Brooklyn (poster, 1892)

  • Dossier 2 :

Colum McCann, This Side of Brightness (1998) / Maya Angelou, All God's Children Need Traveling Shoes (1986) / Patrick A. Burns, Photograph of Grady O'Cummings (1964)

  • Dossier 4 :

Anna Burns, Milkman (2018) / Mahatma Gandhi, Speech at the Inter-Asian Relations Conference (1947) / Emily Allchurch, Babel London (after Bruegel) (2015)

  • Dossier 5 :

Gerard Manley Hopkins, The Habit of Perfection (1868) / Marc David, The Simple Psychology of Habits (2015) / Peter Blume, Vegetable Dinner (1927)

  • Dossier 7 :

Paul Auster, Moon Palace (1989) / Eric Klinenberg, Going Solo, the Extraordinary Rise and Surprising Appeal of Living Alone (2012) / Edward Hopper, Sunlight in a Cafeteria (1958)

  • Dossier 10 :

Bram Stoker, Dracula (1897) / Hanna Sheehy, Women and the university question (1902) / Howard Somerville, Primum Vivere, Deinde Philosophari (1905)

  • Dossier 11 :

William Shakespeare, Richard II (1600) / Margaret Thatcher, Speech at Kensington Town Hall (1976) / Grayson Perry, Comfort Blanket (2014)

Dossiers EHP 2018

  • Dossier 1 :

John Osborne, Look Back in Anger (1957) / Henry Mayhew, London Labour and the London Poor (1849-1850) / Bill Brandt, In a Mayfair Drawing Room (c. 1937)

  • Dossier 2 :

Charlotte Brontë, Jane Eyre (1847) / Nellie Bly, Ten Days in a Mad-House (1887) / David Lean, Great Expectations (1946)

  • Dossier 3 :

Jamaica Kincaid, Lucy (1990) / Enoch Powell, Speech at the Conservative Association meeting in Birmingham (1968) / Rachel Henriques, Poppy Show (2016)

  • Dossier 3 bis:

Don DeLillo, Underworld (1997) / Peter Clarke, Hope and Glory: Britain 1900-2000 (1996) / George Bellows, Stag at Sharkey's (1909)

  • Dossier 4 :

George Orwell, Burmese Days (1934) / John Atkinson Hobson, Imperialism: A Study (1902) / Sonia Boyce, Lay back, keep quiet and think of what made Britain so great (1986)

  • Dossier 5 :

Ian McEwan, Chesil Beach (2007) / John Stuart Mill, The Subjection of Women (1869) / Lucian Freud, Ib and Her Husband (1992)

  • Dossier 6 :

Mary Shelley, Frankenstein; or the Modern Prometheus (1818) / John Locke, An Essay Concerning Human Understanding (1690) /

  • Dossier 7 :

Tennessee Williams, A Streetcar Named Desire (1947) / Paul M Gatson, The New South Creed: A Study in Southern Mythmaking (1970) / Alain Desvergnes, Yoknapatawpha, Oxford, Mississippi (1963)

  • Dossier 8 :

Eudora Welty, "Powerhouse" (1937) / James Wood, "The Fun Stuff: My Life as Keith Moon", The New Yorker (29 November 2010) / Ernie Barns, Sugar Shack (1972)

  • Dossier 9 :

John Webster, The Duchess of Malfi (1623) / Louisa Lowe, "No.1 – Report of a Case Heard in Queen’s Bench, November 22nd, 1872”, Quis Custodiet Ipsos Custodes? (1872-1873) / William Hogarth, A Rake's Progress (plate 8 - 1735-1763)

  • Dossier 10 :

William Wordsworth, "The Solitary Reaper" (1807 / Carolyn Merchant, "Ecofeminism and Feminist Theory", Reweaving the World: The Emergence of Ecofeminism (1990) / Sir Nathaniel Bacon, Cookmaid with Still Life of Vegetables and Fruit (c. 1620-1625)

  • Dossier 12 :

Ben Okri, Infinite Riches (1998) / Memorandum by the Secretary of State for the Colonies, Constitutional Developments in the Gold Coast and Nigeria (1953) / The doctor starting his morning rounds by railroad, Ilorin (Kwara, Nigeria), October 1912 (photograph)

Dossiers EHP 2017

  • Dossier 1 :

Kathleen Raine, "The Pythoness" (1949) / John Muir, My First Summer in the Sierra (1911) / Joseph Wright of Derby, A Philosopher Giving that Lecture on the Orrery, in which a Lamp is put in the Place of the Sun (first exhibited 1766)

  • Dossier 2 :

Chimamanda Ngozi Adichie, Purple Hibiscus (2003) / Barack Obama, "A More Perfect Union" speech (2008) / Henry Ossawa Tanner, The Banjo Lesson (1893)

  • Dossier 3 :

John Steinbeck, The Grapes of Wrath (1939) / Nancy Isenberg, White Trash: The 400-Year Untold History of Class in America (2016) / President Lyndon Johnson listens to Tom Fletcher describe some of the problems of his town Inez in Kentucky (1964)

  • Dossier 4 :

John Milton, Paradise Lost (1674) / John Berger, Ways of Seeing (1972) / William Orpen, The English Nude (1900)

  • Dossier 5 :

Sebastian Barry, Tales of Ballycumber (2009) / Eamon de Valera, "On Language and The Irish Nation" (1943) / Rita Duffy, The Cailleach 2016 (2016)

  • Dossier 8 :

David Herbert Lawrence, Lady Chatterley's Lover (1928) / George Orwell, The Road to Wigan Pier (1937) / William Eugene Smith, "Three Generations of Welsh Miners" (1950)

  • Dossier 11 :

Sinclair Lewis, Babbitt (1922) / Robert Staughton Lynd and Helen Merrel Lynd, Middletown: A Study in Contemporary American Culture (1929) / Grant Wood, The Birthplace Of Herbert Hoover, West Branch, Iowa (1931)

  • Dossier 13 :

Thomas King, "Borders", One Good Story, This One (1993) / Cherokee Phoenix and Indians' Advocate, "Indians Address of the "Committee and Council of the Cherokee Nation in General Council convened" to the people of the United States" (1830) / Kent Monkman, Miss America

  • Dossier 14 :

Richard Ford, Wildlife (1990) / Raplh Waldo Emerson, Nature (1836) / Stephen Willard, Convict Lake and Hangman’s Tree in the High Sierras (1940s)

  • Dossier 17 :

Colum McCann, Transatlantic (2013) / Henry Mayhew and John Binny, "An aerial view of London, 13th September 1852" / Simon Roberts, "Penshaw Monument, Herrington Country Park" (2013)

  • Dossier 19 :

Charlotte Brontë, Villette (1853) /correspondence between Queen Victoria and King Leopold (1843) / The execution of King Charles I (circa 1649)


Dossiers EHP 2016

  • Dossier 1 :

Allan Ginsberg, "America" (poème de 1956) / Ronald Reagan, Farewell Address to the Nation (1989) / Norman Rockwell, Freedom of Speech (1943)

  • Dossier 5 :

George Orwell, "Shooting an Elephant" (1936) / Achim Steiner, “Beyond Cecil: the illegal trade in wildlife has real consequences for the world”, The Guardian (2015) / Tiger hunting: George Curzon, 1st Marquess Curzon of Kedleston, and his wife inBritish India. Camp near Nekonda, Warangal district, Andhra Pradesh, April 1902 (photographie)

  • Dossier 6 :

Lawrence Ferlinghetti, Reading Yeats I do not think" (1993) / Edith Wharton, "The Vice of Reading" (1903) / Marie Spartali Stillman, Beatrice (1895)

  • Dossier 7 :

Russell Banks, "A Permanent Member of the Family" (2013) / US Supreme Court ruling, Moore v. City of East Cleveland (1977) / Norman Rockwell, Freedom from Want (1943)

  • Dossier 8 :

David Malouf, Remembering Babylon (1993) / Ron Radford, "Land and Landscape: The Colonial Encounter 1800-80", Australia (2013) / Ford Madox Brown, The Last of England (1852-1855)

  • Dossier 9 :

Juan Felipe Herrera, "Exiles" (2008) / Julian Castro, "What is the American identity?", speech at the Democratic National Convention (2012) / Jacob Lawrence, The Migration of the Negro, Panel no.1 (1940-1941)

  • Dossier 13 :

E.M. Forster, "The Machine Stops" (1909) / H.L. Mencken, "The Boons of Civilization" (1931) / David Gamble, S. Hawking, scientist, Cambridge (2000 - photographie)

  • Dossier 14 :

George Orwell, Nineteen Eighty-Four (1949) / John Adams, "To the President of Congress" (1780) / Brian Dettmer, Tower of Babble (2011)

  • Dossier 16 :

Philip Roth, The Human Stain (2000) / Zadie Smith, Thinking by Myself (2009) / Gordon Parks, American Gothic (1942 - photographie)

  • Dossier 18 :

William Shakespeare, The Tragedy of Macbeth (1599-1602) / Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep (2013) / Arthur Rackham, Titania Asleep (1908)

  • Dossier 20 :

Aphra Behn, Oroonoko the Noble Slave (1688) / Sir Francis Bacon, "Of Plantations", Essays (1625) / William Blake, Europe supported by Africa and America (1796)

  • Dossier 24 :

Upton Sinclair, The Jungle (1906) / Frank Lloyd Wright, The Disappearing City (1932) / King Kong (cliché du film de 1933)

  • Dossier 26 :

Henry Fielding, The History of Tom Jones, A Foundling (1749) / Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism (1991) / Cesar Santos, The Three Graces (2013)

  • Dossier 28 :

Wole Soyinka, Aké, The Years of Childhood (1981) / Chinua Achebe, "An Image of Africa" (1977) / John Dyer, Garden of Eden (2001)

  • Dossier 29 :

Charlotte Brontë, Shirley (1849) / William Allen White, "What's the Matter with Kansas?" (1896) / Nicholas Middleton, Protest, 1st April 2009 (2010)

Dossiers EHP 2015

Dossiers EHP 2014

  • Dossier 1 :

George Eliot, Daniel Deronda (1876) / Sheryl Sandburg, Lean In, Women, Work, and the Will to Lead (2013) / Mary Cassatt, Woman with a Pearl Necklace in a Loge (1879)

  • Dossier 2 :

Derek Walcott, "The Sea is History", in The Star-Apple Kingdom (1979) / Francis Chichester, "An Epilogue", by J.R.L.Anderson,in Gipsy Moth Circles the World, 1967 / Colour poster of the maiden voyage of the Titanic (1912)

  • Dossier 3 :

Ralph Ellison, Invisible Man (1947) / "The murder of Stephen Lawrence and the strange case of the missing Wikipedia entries", The Telepgraph (2013) / Donald Rodney, Britannia Hospital 3 (1988)/

  • Dossier 4 :

David Lodge, Small World (1984) / Sir Joshua Reynolds, "A Discourse Delivered to the Students of the Royal Academy on the Distribution of Prizes", December 10, 1774, in Seven Discourses on Art / Richard Burton and Elizabeth Taylor in Joseph L. Mankiewicz's Cleopatra (1963)

  • Dossier 5 :

D.H. Lawrence, The Plumed Serpent (1926) / Graham Huggan, The Postcolonial Exotic: Marketing the Margins (2001) / Jennifer Baird, Hidden City (2008)

  • Dossier 6 :

Stephen Crane, The Red Badge of Courage (1893)/ Alistair Cooke, "These are My Times and I Must Know Them", Letter from America n°2621, 7 May 1999, in Reporting America (2008) / Llyn Foulkes, Deliverance (2007)

  • Dossier 7 :

May Swenson, "The James Bond Movie", in New and Selected Things Taking Place (1978) / Tom Englehardt, from "How the Movies Saved My Life: Seeing the World in Black and White (with Subtitles)", November 2011 / Edward Hopper, New York Movie (1939)

  • Dossier 8 :

Nicholson Baker, The Anthologist (2009) / Daniel J. Boorstin, "Time Becomes Fungible: Packaging the Unit of Work", Chapter 41 of The Americans: The Democratic Experience (1973) / Film still from Safety Last! (1923)

  • Dossier 9 :

Elizabeth Bishop, "Questions of Travel" (1965) / Alain de Botton, The Art of Travel (2002) / James McNeill Whistler, Symphony in White No.2: The Little White Girl (1864-1865)

  • Dossier 10 :

Harriet Beecher Stowe, Uncle Tom's Cabin (1852) / George Fitzhugh, "The Universal Trade" (1857), in Cannibals All! Or, Slave without Masters (1988) / Junius Brutus Stearns, Washington as Farmer at Mount Vernon (1851)

  • Dossier 11 :

Louis de Bernières, Captain Corelli's Mandolin (1994) / Margaret Atwood, "On Medea" (1998) / Poster 'Our Job to Clothe the Men who Work and Figt" (artist unknown, 1943)

Dossiers EHP 2013


Dossiers EHP 2012

  • Dossier 1 :

William Shakespeare, As You Like It, act 2, scene 7 (1623) / Samuel Smiles, Self Help, with Illustrations of Character and Conduct (1859) / Martha Rosler, The Gray Drape (2008)

  • Dossier 2 :

Allen Ginsberg, "A Supermarket in California" (1955) / Will Herberg, Protestant, Catholic, Jew (1955) / Gregory Crewdson, "Untitled", from the series Beneath the Roses (2003-2007)

  • Dossier 3 :

Brian Friel, Philadelphia, Here I Come! (1964) / William Grattan Tyrone Power, Impressions of America during the years 1833, 1834 and 1835 (1836) / Thomas Nast, The Ignorant Vote: Honors are Easy (December 9th 1876)

  • Dossier 4 :

John Updike, "The Sea's Great Sameness" (1960), in Museums and Women and Other Stories (1973) / James W. Loewen, Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong (1995) / Rapahelle Peale, Venus Rising from the Sea - A Deception (After the Bath) (1823)

  • Dossier 5 :

John Millington Synge, The Playboy of the Western World (1907) / William Hazlitt, obituary notice for John Cavanagh, The Examiner (February 7th 1819) / John Scott-Sixon, The Rugby Team, Mill Hill School (1930)

  • Dossier 6 :

D.H. Lawrence, Lady Chatterley's Lover (1928) / E.P. Thomson, William Morris. Romantic to Revolutionary (1955) / William Blake, The Body of Abel found by Adam and Eve (1825)

  • Dossier 7 :

Thomas Love Peacocok, Headlong Hall (1816) / William Gilpon, Remarks on Forest Scenery (1791) / two etchings by Hearne and Pouncy from Richard Payne Knight, The Landscape (1794)

  • Dossier 8 :

John Dos Passos, The Big Money (1933) / John Kenneth Galbraith, The New Industrial State (nouvelle édition, 1972) / Lewis H. Hine, Mechanic (1920)

  • Dossier 9 :

Elisabeth Bishop, "In The Waiting Room", Geography III (1976) / Chinua Achebe, "An Image of Africa: Racismn in Conrad's Heart of Darkness" (1977) / Francis Bacon, Figure Writing Reflected in a Mirror (1976)

  • Dossier 10 :

Penelope Fitzgerald, The Bookshop (1979) / David A. Bell, "The Bookless Future", The New Republic (2005) / The Inside of Shakespeare and Company (2010)

  • Dossier 11 :

Jerome K. Jerome, Three Men in a Boat (1889) / Nick Rosen, Off the Grid: Inside the Movement for More Space, Less Government, and True Independence in Modern America (2010) / Nespresso Ad (ca 2010)

  • Dossier 12 :

Tom Waits, "Romeo is Bleeding" (1978) / Robert Warshow, "The Gangster as Tragic Hero" (1948) / Banksy, Flag (2006)

  • Dossier 13 :

Francis Scott Fitzgerald, The Great Gatsby (1925) / Travels and Works of Captain John Smith (1630) / Margaret Bourke-White, At the Time of the Louisville Flood, Red Cross Relief (1937)

  • Dossier 14 :

William Shakespeare, Macbeth, act I, scene 2 (1606) / Edmund Gosse, Father and Son (1907) / Bernard Safran, The Constable (1980)

  • Dossier 15 :

Anthony Trollope, An Autobiography (1883) / Mary Wollstonecraft, A Vindication of the Rights of Women (1792) / Frances Benjamin Johnston, A History Class at Tuskegee (1902)

  • Dossier 16 :

Victoria Sackville-West, The Victorians (1930) / Review of Judi Dench's And Furthermore by Vinton Rafe McCabe (2011) / Daniel Gardner, The Three Witches from Macbeth (1775)

  • Dossier 17 :

Philip Larkin, "Going, Going" (1974) / Monica Redlich, Everyday England (1945) / Tony Ray-Jones, Glyndebourne (1967)

  • Dossier 18 :

Toni Morrison, Sula (1973) / Enoch Powell, "Rivers of Blood" Speech (1968) / Benjamin Robert Haydon, The Anti-Slavery Society Convention, 1840 (1841)

  • Dossier 19 :

Paul Auster, Travels in the Scriptorium (2006) / John Dryden, Preface to the Translation of Ovid's Epistles (1680) / Thierry Guetta, cover art for Madonna's Greatest Hits collection Celebration (2009)

Dossiers EHP 2011

  • Dossier 1 :

Thomas Hood, "To Henrietta, on her Departure for Calais", poem (1843) / Claude de Sainliens, The Treasurie of the French Tong (1580) / William Hogarth, Marriage à la Mode, "The Tête à Tête" (1743)

  • Dossier 2 :

Ted Hughes, "Pike", poem (1960) / John Bunyan, The Pilgrim's Progress (1678) / Boyd Fortin, thirteen years old, Sweetwater, Texas (1979) - photo

  • Dossier 3 :

Henry Fielding, Tom Jones, Book 5, Chapter 3 (1749) / Jonathan Edwards, Freedom of the Will, Part I, Section V (1754) / Thomas Hart Benton, Persephone (1939)

  • Dossier 4 :

William Shakespeare, The Tempest, Act V, scene 1 (1611) / Stephen Harper, speech offering full apology on behalf of Canadians for the Indian Residential Schools system (2008) / Governor Davey's Proclamation to the Aborigenes (1816)

  • Dossier 5 :

Jonathan Swift, Gulliver's Travels (1726) / Francis Bacon, "Of Discourse", The Essays or Counsels, Civil and Moral, of Francis Ld Verulam Viscount St Albans (1625) / George Cruikshank, Inconveniences of a Crowded Drawing Room (1818)

  • Dossier 6 :

Herman Melville, Moby Dick, Chapter 32 (1851) / Henry Louis Mencken, Memorial Service (1922) / Sgt Peppers Lonely Hearts Club Band, album sleeve (1967)

  • Dossier 7 :

John Keats, "Ode on a Grecian Urn" (1820) / Stephen Hawking, A Brief History of Time (1988) / Harold Egerton, "Shooting the Apple" (1964) - photo

  • Dossier 8 :

Walker Percy, The Moviegoer (1860) / Louis Weinberg, "Motion Pictures as a Social Force", Current History Magazine (1925) / Edward Hopper, New York Movie (1939)

  • Dossier 9 :

E.M. Forster, "The Machine Stops", Collected Short Stories (1947) / "The Sinking of the Lusitania", The Times (1915) / "Under his Master's Eye", Punch (1913)

  • Dossier 10 :

H.G. Wells, The War of the Worlds (1898) / F.D. Roosevelt, Pearl Harbor Address (1941) / Photograph of three FDNY firefighters raising the American flag in the World Trade Center rubble on 11 September 2001 (2001)

  • Dossier 12 :

James Friel, Left of North (1987) / Henry Mayhew, London Labour and the London Poor (1851) / Ironing Room at Barnardo's Girls' Home, Barkingside (c. 1910)

  • Dossier 13 :

William Shakespeare, The Tragedy of Coriolanus (1608) / John Locke, Some Thoughts Concerning Education (1693) / Anthony Van Dyck, The Five Eldest Children of Charles I (1637)

  • Dossier 14 :

E.E Cummings, N°13 of No Thanks (1935) / J.L. Austin, Sense and Sensibilia (1962) / Ralph Goings, Blue Napkin Holder (1962) - photo

  • Dossier 17 :

George Orwell, Nineteen Eighty-Four (1949) / Bertrans Russell, "The Forms of Power", Power. A New Social Analysis (1938) / Julian Opie, You See an Office Building 4 (1996)

  • Dossier 18 :

Clarence Aaron Robbins, Spurs (1923) / Henry Ford, My Life and Work (1922) / Irving Penn, Lady Acrobat, New York, 1951 - photo

  • Dossier 20 :

Wilfred Owen, "A Terre" (c. 1917, first published in 1919) / David Lloyd George, Honour and Dishonour (speech, 1914) / Paul Nash, We Are Making a New World (1918)

Dossiers EHP 2010

  • Dossier 1 :

Jonathan Swift, "A Description of a City Shower", poem published in The Tatler, 17 October 1710 / Henry Mayhew and John Binny, "The Criminal Prisons of London" (1862), originally published in Illustrated London News, 18 September 1852 / Christopher Nevinson, Amongst the Nerves of the World (1930)

  • Dossier 2 :

Major John Richardson, Wacousta; or the Prophecy. A Tale of the Canadas (1832) / Northop Frye, "Conclusion to A Literary History of Canada", in The Stubborn Structure. Essays on Criticism and Society (1970) / William McFarlane Notman, Douglas Pine Tree, Vancouver, BC (1887)

  • Dossier 3 :

Philip Larkin, "Church Going" (1955) / Obituary of Oral Roberts, preacher and televangelist (2010) / Louis Comfort Tiffany, The New Jerusalem (1902)

  • Dossier 4 :

D.H. Lawrence, Lady Chatterley's Lover (1928) / George Orwell, The Road to Wigan Pier (1937) / Joseph Stella, By-Product Plants (1923)

  • Dossier 5 :

Jhumpa Lahiri, "The Treatment of Bibi Haldar", in The Interpreter of Maladies (1999) / John Stuart Mill, The Subjection of Women (1869) / Photo of Margaret Thatcher with husband Denis, son Mark and daughter Carol (c. 1977)

  • Dossier 6 :

Siri Hustvedt, What I Loved (2003) / Hans Abbing, Why Are Artists Poor? (2002) / Charles Willson Peale, The Artist in His Museum (1822)

  • Dossier 7 :

Ralph Ellison, Invisible Man (1952) / Barack Obama, Dreams from my Father, A Story of Race and Inheritance (1995) / G. Romney, Henrietta, Countess of Warwick, and her Children (1787-1789)

  • Dossier 8 :

Mary Shelley, Frankenstein, or the Modern Prometheus (1818) / Arabella B. Buckley, The Fairy-Land of Science (1879) / John Martin, The Great Day of His Wrath (1851-1853)

  • Dossier 9 :

John Keats, "La Belle Dame Sans Merci" (1819) / Jennifer Hedgecock, The Femme Fatale in Victorian Literature, The Danger and the Sexual Threat (2008) / Dante Gabriel Rossetti, Helen of Troy (1863)

  • Dossier 10 :

Walt Whitman, "Song of Myself", in Leaves of Grass (1891-1892) / Declaration of Independence, July 4th, 1776 / Jackson Pollock, Painting (Silver over Black, White, Yellow and Red) (1948)

  • Dossier 11 :

Alan Bennett, The Uncommon Reader (2007) / King James VI, Preface to the 1603 edition of Basilikon Doron, or His Maiesties Instructions to His Dearest Sonne, Henry the Prince (first published in 1599) / James McNeill Whistler, Reading by Lamplight (1858)

  • Dossier 12 :

Thomas Hrdy, Jude the Obscure (1895) / Friedrich Hayek, The Road to Serfdom (1944) / J.M.W. Turner, The Fighting Temeraire Tugged to Her Last Berth to be Broken Up (1838)

Dossiers EHP 2009

Dossiers EHP 2008

page 66 dans le rapport et les sujets sur le site de la SAES. ftp://trf.education.gouv.fr/pub/edutel/siac/siac2/jury/2008/agreg_ext/anglais.pdf


Dossiers EHP 2007

  • Dossier 1 :

Henry James, Washington Square (1881) / Bayrd Still, Bicentennial New York (1976) / Joseph Stella, The Brooklyn Bridge (1939)

  • Dossier 2 :

Gish Jen, Mona in the Promised Land (1996) / Peter Ackroyd, London – The Biography (2000) / Poster from the London Underground (1929)

  • Dossier 3 :

George Bernard Shaw, Cashel Byron’s Profession (1886) / Richard Holt, Sport and the British, A Modern History (1989) / Thomas Eakins, Taking the Count (1898)

  • Dossier 4 :

David Lodge, Therapy (1995) / Samuel Smiles Self Help (1859) / Punch, ‘A Delicate Attention’ (1851)

  • Dossier 5 :

Allen Ginsberg, « A Supermarket in California », Howl and Other Poems (1956) / Daniel Boorstin, The Americans : The Democratic Experience (1973) / James Rosenquist, President Elect (1960)

  • Dossier 6 :

Elizabeth Gaskell, North and South (1855) / George Orwell, The Road to Wigan Pier (1937) / Laurence Stephen Lowry, Industrial Landscape (1955)

  • Dossier 7 :

Toni Morrison, The Bluest Eye (1970) / Martin Luther King, Speech at the Great March on Detroit, 23 June 1963 / Norman Rockwell, The Problem We All Live With (1964)

  • Dossier 8 :

Bernard Malamud, The Jewbird (1963) / John F. Kennedy, A Nation of Immigrants (1964) / Charles Chaplin, The Immigrant (1917)

  • Dossier 9 :

William Wordsworth, ‘Ode : Intimations of Immortality from Recollections of Early Childhood’ (1807) / Catharine Macaulay, Letters on Education (1790) / William Hogarth, ‘The Four Stages of Cruelty’ (1751)

  • Dossier 10 :

William Shakespeare, Love’s Labours Lost (1598) / William Hazlitt, Table Talk ‘I. 8. On the ignorance of the learned’ (1821) / John Everett Millais, The Boyhood of Raleigh (1870)

  • Dossier 11 :

Stephen Crane, The Red Badge of Courage (1895) / Abraham Lincoln, ‘The Gettysburg Address’, 19 November 1863 / Timothy H. O’Sullivan, A Harvest of Dead (1863)

  • Dossier 12 :

Joseph Heller, Catch-22 (1955) / Juliet Barker, Agincourt, ch. 9 ‘Our town of Harfleur’ (2005) / Alexander Ritchie (after Darley), The Triumph of Patriotism as Washington enters New York, Nov. 25, 1783, (circa 1850)


Dossiers EHP 2006

  • Dossier 1

Alex La Guma, A Walk in the Night (1962)/ Steven Robins, “City Sites” (2000) / David Koloane, Man Reading (1976)

  • Dossier 2

Francis Scott Fitzgerald, The Great Gatsby (1925) / John F. Kennedy, “Address at Rice University on the Space Effort” (September 12, 1962) / Edward Hopper, People in the Sun (1960)

  • Dossier 3

Raymond Chandler, The Long Good Bye (1953) / Naomi Wolf, The Beauty Myth (1991) / Ida Lupino, Publicity portrait for The Man I Love (1947)

  • Dossier 4

Mark Behr, The Smell of Apples ( 1995) / Antjie Krog, Country of My Skull (1998) / Francis Bacon, Painting 1946 (1946)

  • Dossier 5

Oscar Wilde, The Picture of Dorian Gray (1891) / David Hume, A Treatise Upon Human Nature (1739) / Francis Bacon, Self-Portrait (1973)

  • Dossier 6

Jonathan Swift, A Tale of a Tub (1709) / Susan Sontag, Regarding the Pain of Others (2003) / Gilbert and George, Bloodshed (1988)

  • Dossier 7

Ann Radcliffe, The Mysteries of Udolpho (1794) / Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful (1757) / William Blake, Satan Hitting Job (1826-1827)

  • Dossier 8

Jean Rhys, “On Not Shooting Sitting Birds” in Sleep it Off Lady (1976) / The New York Times, “Suffrage Wins in Senate; Now Goes to States” (Thursday, June 5, 1919) / Edward Hopper, Automat (1927)

  • Dossier 9

John Donne, “Devotions Upon Emergent Occasions”, Meditation XVII (1624) / David Hume, “Essays on Suicide and the Immortality of the Soul” (1783) / Henry Alexander Bowler, The Doubt: ‘Can These Dry Bones Live?’ (1855)

  • Dossier 10

Herman Melville, Moby Dick (1851) / Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful ((1757) / Joseph Mallord William Turner, Sunrise with Sea-Monsters (1845)

  • Dossier 11

Francis Scott Fitzgerald, “The Homes of the Stars” / Daniel J. Boorstin, The Americans: The Democratic Experience (1973) / Ian Falconer, The New Yorker (Oct. 20, 2003)

  • Dossier 12

Colin Johnson (Mudrooroo), Doctor Wooreckly’s Prescription for Enduring the Ending of the World (1983) / Lord Macaulay, ‘Minute’ in Indian Musulmans (1871) / John Oxley Library (Australia), ‘Missus’ and Servants. Springsure District (1912)


Dossiers EHP 2005

  • Dossier 1 :

Virginia Woolf, The Waves (1931) / Walter Pater, Studies in the History of the Renaissance (1873) / James Whistler, Nocturne in Black and Gold: the Falling Rocket (1875)

  • Dossier 2:

A.S. Byatt, Possession, A Romance (1990) / John Locke, An Essay Concerning Human Understanding (1690) / Charles Peale, The Artist in his Museum (1822)

  • Dossier 3:

Thomas Hardy, God's Funeral (1908) / David Hume, An Enquiry Concerning Human Understanding (1748) / Joseph Wright of Derby, An Experiment on a Bird in the Air Pump (1768)

  • Dossier 4:

Nadine Gordimer, "Once Upon a Time", Jump and Other Stories (1991) / Nelson Mandela, Long Walk to Freedom (1994) / Tom Toles, Buffalo News (1990)

  • Dossier 5:

Daniel Defoe, The True-Born Englishman (1701) / George Orwell, "England your England, The Lion and the Unicorn (1940) / James Gillray, Politeness (1779)

  • Dossier 6:

William Golding, Lord of the Flies (1954) / Samuel Pepys, Diary, Vol.VII, 2-5 September 1666 / Joseph Mallord William Turner, The Burning of the Houses of Lords and Commons (1834)

  • Dossier 7:

William Shakespeare, Henry V, Act V scene 2 (1599) / The Seneca Falls Declaration (1848) / The Armada Portrait of Queen Elizabeth I (c.1588)

  • Dossier 8:

Lord Byron, Prometheus (1816) / Thomas Babington Macaulay, The History of England from the Accession of James II (1849) / Jacob Lawrence, Forward (1967)

  • Dossier 9:

Edith Wharton, The Age of Innocence (1920) / Thorstein Veblen, The Theory of the Leisure Class: An Economic Study in the Evolution of Institutions (1899) / Mary Cassatt, At the Opera (1879)

  • Dossier 10:

John Keats, Ode on a Grecian Urn (1820) / G.M. Trevelyan, Illustrated English Social History (1942) / The New Yorker, August 9, 2004

  • Dossier 11:

Charles Dickens, Dombey and Son (1848) / John F. Kennedy, Inaugural Address (January 20, 1961) / Herblock, "Gee- A Medal from General Goldwater", Washington Post, July 2, 1976

  • Dossier 12:

Benjamin Disraeli, Sybil (1845) / Sir Robert Peel, Report of the Minutes of Evidence Taken before the Select Committe on the State of the Children Employed in the Manufactories of the United Kingdom (1816) / Ford Madox Brown, Work (1852)


Dossiers EHP 2004

  • Dossier 1.

Mary Wollstonecraft, Vindication of the Rights of Women, 1792 / Charlotte Brontë, Jane Eyre, 1847 / watercolour by Edward Francis Burney, An Elegant Establishment for Young Ladies, c. 1820

  • Dossier 2.

David Hume, Enquiries Concerning Human Understanding and Concerning the Principles of Morals, 1777 Walt Whitman, Song of Myself, 1855 bust by Robert Arneson, Portrait of the Artist Losing His Marbles, 1965

  • Dossier 3.

David Smith, “Tradition and Identity”, 1959 Anita Desai, Games at Twilight, 1978 sculpture of five elements by Anish Kapoor, 1000 Names, 1981

  • Dossier 4.

Eve Bertelsen, “Ads and Ammesia: Black Advertising in the New South Africa”, 1998 Zakes Mda, Ways of Dying / photograph by Santu Mofokeng, Winter in Tembisa, 1989

  • Dossier 5.

Edmund Burke, A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, 1757 / Malcolm Lowry, Under the Volcano, 1947 / watercolour by J. M. W. Turner,A Storm (Shipwreck), 1828

  • Dossier 6.

Peter Conrad, “Beaton in Brilliantia”, catalog of the Exhibition Cecil Beaton : Portraits, National Portrait Gallery, 2004 / Don Delillo, White Noise, 1984 / contact sheet of Marilyn Monroe by Cecil Beaton, 1956

  • Dossier 7.

James Finn Garner, “Little Red Riding Hood”, Politically Correct Bedtime Stories, 1994 / E. M.Forster, Howards End, 1910 / cartoon : The Great Fear of the Period, c. 1860

  • Dossier 8.

The Homestead Act, 1862 / F. S. Fitzgerald, “The Diamond as Big as the Ritz”, 1922 painting by Thomas Hart Benton, Cradling Wheat, 1938

  • Dossier 9.

Thomas Malthus, An Essay on the Principle of Population, 1798 / Alexander Pope, An Essay on Man, 1733 / watercolour by William Blake, Newton, 1795

  • Dossier 10.

Walter Bagehot, The English Constitution, 1867 / George Gissing, In the Year of Jubilee, 1894 / painting by Horace Bonham, Nearing the Issue at the Cockpit, 1878

  • Dossier 11.

G. M. Trevelyan, English Social History, 1942 / D. H. Lawrence, Lady Chatterley’s Lover,1928 / photograph by W. Eugene Smith, Three Generations of Welsh Miners, 1950

  • Dossier 12.

Henry Adams, The Education of Henry Adams, 1918 / Robert Louis Stevenson, The Strange Case of Doctor Jekill and Mister Hyde, 1885 / photograph by Ralph Eugene Meatyard, Untitled (Boy in Old Man’s Mask with Doll), c. 196


Dossiers EHP 2003

ftp://trf.education.gouv.fr/pub/edutel/siac/siac2/jury/agreg_ext/ang33.pdf et SAES http://www.saesfrance.org) :

Ressources pour l'EHP